

– Japan : AWA streams * 100/5.5 (AWA has 5.5% of the Japanese streaming market)– Elsewhere : Spotify streams * (370 – 8.5 – 9.5 – 33 – 9) / 207 (370 million global subscribers minus 8.5 million from South Korea minus 9.5 million from Japan minus 33 million from China divided by the number of Spotify only users minus 9 million more Asian users) + Genie streams * 3.05 (uses Genie rather than Spotify to extrapolate markets like Taiwan, Thailand and Vietnam) – South Korea : Genie streams * 3.05 (consistent with Gaon streaming numbers)

In order to account for their real popularity in each relevant country, the below sources have been used along with the mentioned ratios that reflect the market share of each area. To factor in the growing impact of multiple Asian countries where these platforms aren’t always the go-to site for music streaming, more sources have been added. The main source of data for each avenue is respectively Spotify and YouTube. Our CSPC methodology now includes both to better reflect the real popularity of each track. Streaming is made up of audio and video streams. Celine Dion streaming review – the method
CELINE DION TITANIC IN FRENCH UPDATE
These values are used for automatic update of artist and albums total instead of those from CSPC analysis. She later objected to the film’s content and tone.Being more famous year after year, Celine Dion became one of the biggest star in the world during the second part of the 90s, with legendary songs like My Heart Will Go On and Become You Loved Me.Īre her songs and albums still much listened on streaming plateforms? Alanis Morrisette reportedly interviewed directors for the recent bio-doc Jagged, but didn’t take a producer’s credit. The process isn’t always as symbiotic as it looks on paper. In some cases, the subject will claim a producer credit, as is the case with the upcoming Justin Bieber doc, Our World, or Val Kilmer on Val, on which the actor reportedly had final cut. All of the French Canadian’s English-language albums have been distributed by the Sony Music label family. That Dion’s label group is shouldering the cost and will act as distributor makes that access even more advantageous to Taylor. While it’s not uncommon for A-list talent to be involved in such projects - Tina Turner ( Tina), Taylor Swift ( Miss Americana) and Led Zeppelin, ( Becoming Led Zeppelin) all gave their blessing to the respective filmmakers behind these docs - the process of a subject aligning with a director to tell his or her story is becoming more prevalent, especially when access to personal archives and music rights is at stake. The film is being directed by Vermillion’s lead creative player, Irene Taylor, whose first feature documentary, Hear and Now, won both a Peabody and the Audience Award at Sundance in 2007. Her doc short, The Final Inch (2009), was nominated for an Oscar. Continuing a pattern of documentary features on celebrities made with the close involvement of the subjects they depict, Sony Music Entertainment’s Premium Content Division, in partnership with SME Canada and Vermilion Films, announced the start of production for an untitled feature-length documentary about Celine Dion, the five-time Grammy-winning artist who has sold more than 250 million records over a 40-year career.
